The First Marvel Movie Superhero Was Black

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In 1998, exactly 20 years before Black Panther, the first Marvel Comics superhero made its theatrical debut. It was the vampire known as Blade. And he was black.

To be fair, there had been a handful of films based on Marvel properties before thisbut 1944s Captain America was a black-and-white serial film, 1989s The Punisher and 1990s Captain America were both direct-to-DVD, 1994s Fantastic Four was never released, and though its a cult classic, the less said about 1986s Howard the Duck, the better.

Blade was the first Marvel superhero film produced with the intention of honoring the comic book that inspired it. Its important as well that Blade was a black superhero, played by Wesley Snipesone of the most popular black actors of the time. Its also worth nothing that, due to the juggernaut that is the Marvel Cinematic Universe, Blade has been mostly ignored while Marvel touts Black Panther as the biggest cultural event of the year. Black Panther is a black superhero film that truly celebrates black culture and filmmaker Ryan Coogler has delivered a cinematic gift, yes, but the MCU debuted 10 years ago. If Blade was successful enough to spawn two sequels, why are we only now getting a second Marvel film with a black lead after twenty years?

That a real cultural moment is happening around the release of Black Panther cant be denied, but its still hard for other black films to be greenlit in Hollywood. We shouldnt still be waiting for a Storm film, for instance, when she's one of Marvels most popular characters. Actors like Taraji P. Henson shouldnt be saying theyre under-promoted overseas in 2018, like she did during the press tour for her recent film Proud Mary.

[Im] begging and pleading my connections and doing whatever I can to make this movie the best it can be. I dont just put my name on stuff just to say it; I get down and dirty. [Studios] never expect [black films] to do well overseas. Meanwhile, you go overseas and what do you see? People trying to look like African-Americans with Afros and dressing in hip-hop fashions, she said. To say that black culture doesnt sell well overseas, thats a lie. Somebody just doesnt want to do their job and promote the film overseas. Do you not have people streaming my Christmas specials in Australia? Come on, yall! I dont understand the thinking. Send me over there, and if it fails, then we dont do it again, but why not try? If I knew this movie was gonna make money domestically, I would try to get more money overseas. Its business!

Black Panther is indeed projected to be a worldwide behemoth, but is that unexpected? Black culture is au courant all over the globe. Snipes knew this even back in 1998 when he was promoting Blade, as he told Slates Aisha Harris this week: I remember, one of the executives of the studio at the time, in the screening, commented after they did the focus group, and they got back the numbers, and they saw how the numbers was so high, and there was so much appeal for the character and the world, he commented, I dont understand why people like this. There were others who thought that black people or black talent in film doesnt sell internationally, doesnt sell foreign, doesnt sell in Japan. Blade comes out, and it blows up in Japan, despite the fact that the lead is a black guy. These were testaments to the lack of cultural awareness, intelligence about the world itself, the global landscape, and the appeal that African American culture has around the world.

The Blade franchise should be every bit entrenched in the cultural conversation when the director of its sequel, Guillermo del Toro, is currently in the midst of an Oscar campaign for his latest film The Shape of Water. Del Toros involvement in Blade II shows how the studio system once tried to enliven a franchise with a director possessed of an exciting vision, and we have now returned to that point with superhero films like Black Panther, which stand out amongst the deluge of superhero sagas.

It wasnt just Blade that became a phenomenon, but the Guillermo del Toro-helmed Blade II may even surpass it. It was a franchise that proved that with a bankable star, a director with flair, and a compelling script you could combat Hollywoods fear that films dont sell with black stars. The legacy of Blade is such that the Marvel Cinematic Universe would do well to continue to cultivate black films like Black Panther. Weve moved past the point when moments like this should be cultural events, but when theyre separated by two decades, how can they not be? When will we reach a time where an entire cinematic universe is built around black stories instead of them merely supporting an already-existing franchise?

Read more: https://www.thedailybeast.com/the-first-marvel-movie-superhero-was-black

Blade Official Trailer #1 - (1998) HD

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CLIP DESCRIPTION:
Inside the vampire club, Quinn (Donal Logue) starts a fight and demands that Blade (Wesley Snipes) be hurt badly.

FILM DESCRIPTION:
British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade's mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel's Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade's mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N'Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade's vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide -- an event in which everyone in the world becomes a vampire.

CREDITS:
TM & © Warner Bros. (1998)
Cast: Donal Logue, Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright
Director: Stephen Norrington
Producers: Avi Arad, Joseph Calamari, Michael De Luca, Robert Engelman, Jon Divens, Peter Frankfurt, Andrew J. Horne, Stan Lee, Wesley Snipes, Lynn Harris
Screenwriter: David S. Goyer

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